LIRIK LAGU ANIMA - BINTANG

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LIRIK LAGU ANIMA-BINTANG

 Kan kuabaikan s'gala hasratku
Agar kau pun tenang dengannya

 Ku pertaruhkan semua ragaku
Demi dirimu bintang

 Reff:
Biarkan ku menggapaimu
Memelukmu.. Memanjakanmu..
Tidurlah Kau Di pelukku
Di pelukku.. Di pelukku..

 Biar kutunda segala hasratku
'Tuk miliki dirimu

 Karna semua t'lah tersiratkan
Dirimu 'kan milikku

 Back to Reff

 Hingga kau mimpikan aku
Mimpikan kita
Mimpikan kita

 Jangan pernah kau terjaga
Dari tidurmu di pelukanku

 Pelukanku....
Pelukanku...
  

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CHAPTER 7 : Cultural And Ideological Turns

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  CHAPTER 7 Cultural And Ideological Turns Culture turns is one in which the study of translation is moving towards the analysis of translation but from a cultural point of view there are 3 areas where cultural studies can influence translation.  1. Translation as Rewriting  Translation is the most obviously recognizable type of rewriting, and . . . it is possible  the most influential because it is able to project the image of an author and/or those  works beyond the boundaries of their culture of origin. (Lefevere 1992a:9)  There are three factors described by Lefevere, namely: Professionalism in the literary system, Patronage outside the dominant literary and poetic system.  There are two components in dominant poetry:  (a) Literary devices: These include the range of genres, symbols, leitmotifs and prototypical  situations and characters.  (b) The concept of the role of literature: This is the relation of literature to the social system in  which it exists  2. Translation And
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CHAPTER 6 : Discourse and Register Analysis Approaches

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 Chapter 6 Discourse and Register Analysis Approaches A. The Hallidayan Model of language and discourse which comprises three variable elements: 1) field: what is being written about, example : a delivery of goods; 2) tenor: who is communicating and to whom, example:  a sales representative to a customer; 3) mode: the form of communication, example:  written. B. House’s Model of Translation Quality Assessment House‟s model operates as follows: (1) A profile is produced of the ST register. (2) To this is added a description of the ST genre realized by the register. (3) Together, this allows a statement of function to be made for the ST, including the ideational and interpersonal component of that function (in other words, what information is being conveyed and what the relationship is between sender and receiver). (4) The same descriptive process is then carried out for the TT. (5) The TT profile is compared to the ST profile and a statement of mismatches orr errors is produced, categor
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